Excellent fashion trends today in 2022 by Hamza Qassim? Hamza Qassim is a Jordanian model. In 2019, he started his modelling career, working with local Jordanian Brands, Like FNL.co, Over the span of 2 years, Qassim has been seen in multiple appearances on international Vogue magazine pages, including Vogue Poland. After his experience over these years, Qassim gained more attention and started working with more famous labels, where he was seen modeling for brands like “Etro” and “Trashy clothing”, that featured Qassim, in top world magazines including, Vogue, and W magazine. With this experience, and his move from Amman to London, he had his first debut in London Fashion week under the Event “Fashion show live”.
Hamza Qassim worked with the Palestinian label Trashy Clothing’s summer 2021 campaign: Lawrence looked at photographs of Palestinians being arrested in his neighborhood from the organization activestills.org, to inform the collection. A women’s tank top is sewn flipped up in the back to mimic the way a man’s tank top crumples as he is being restrained and cuffed. In another instance, a pair of pink leather flared pants show the outline of the pelvic region. “You have these flared hot pants, but the crotch area is outlined to inspect this area, like, ‘Inspect my body without permission,’” Braika explains.
In May, Hedi Slimane has presented his latest collection for Celine, for autumn/winter 2022, which he chose to stage in two historical monuments in Paris, the Hôtel de la Marine and the the Hôtel National des Invalide. Entitled ‘Dans Paris’, the show was filmed by Slimane, off the usual Paris Fashion Week schedule and starred Kaia Gerber. Ralph Lauren opted to show away from the traditional fashion week schedule for autumn/winter 2022, instead holding an elegant evening at the Museum of Modern Art in New York. When I decided months ago to share my new collection in this intimate experience, there was no war in Ukraine, said the designer in a message to show guests. The tragedy and devastation we are witnessing now was unthinkable. Back then all I could think about was coming back together with my teams and all of you to share the hopefulness that collaboration and creativity can inspire. So, in the midst of this sadness, we go forward united in our hope for peace, and our hope for the end of this pandemic and a return to being together. I am so proud to be with you again sharing not only a collection, but an optimism for living that respects the dignity of all.” That optimism was reflected in a completely timeless collection of monochromatic pieces – punctuated with occasional bursts of red – in the sleek lines and tailored silhouettes that the label does so well.
At Balenciaga, number four on our list, Demna originally hoped to address the intensifying anxieties of global warming. But the escalating crisis in Ukraine utterly changed his meaning. Balenciaga’s climate refugees with their leather garbage bags suddenly looked like war refugees. Having fled Georgia as a young boy when Russia invaded that country in 1993, Demna considered canceling the show, but ultimately decided to carry on. “Personally, I have sacrificed too much to war,” he said. “We must resist.” His cinematic presentation, set in a snow globe with models’ long dresses and long hair shuddering in the wind, produced the season’s most stirring visuals, and the catharsis that many of his followers were longing for.
The Palestinian Fashion Collectives was another presentation for Hamza Qassim in 2021: Nöl Collective tells the stories of Palestine through its use of textiles, dyes, and prints. The collective engages with its homeland by centering nearly lost practices and art forms in every piece of clothing—think simple cotton fabrics printed with the fruits and plants of Palestinian land, and multihued striped pockets made with ancient embroidery techniques. “Clothing is inherently political in every way,” says Yasmeen Mjalli, the collective’s creative director and founder. “It’s political in the way that the clothing of oppressed people is used to tell stories of historical and contemporary power dynamics.”