Meet Johnny Hachem and some of his music thoughts: Johnny Hachem composed the music of many films, most notably the documentary film by Carmen Labaki: “I Knocked on the Temple’s Door”. To his name, he has a piano concerto, clarinet concerto, Violin concerto and a large variety of instrumental and orchestral compositions that have been performed in Europe & the Middle East. His music was broadcasted on different Radio stations in the Middle East, The United Kingdom, Brazil, Central America and The Caribbean. Hachem was a professor at the Lebanese National Higher Conservatory of Music. He has achieved a Masters degree in composition with distinction. Discover additional information on Johnny Hachem.
As music theory, can you explain for other artists why it is advantageous to discover classical chord progressions and harmonies and apply them into any genre? Johnny Hachem: Of course, it’s advantageous to discover classical chord progressions and harmonies because they are the basic of almost all the music genres or let’s say they will enrich their musical thoughts even if they won’t be used the classical school way they can affect them unconsciously. It’s well needed to study all these things but at the end, when you compose, you must not to be making just a harmony exercise: you should really have the talent to add your own thoughts…
As for learning piano and music composition, Johnny got his training from the Lebanese higher Conservatory of Music and earned a master’s degree with distinction. Since then, there has been no looking back for him. In fact, Johnny has been composing for more than 20 years and has produced music for orchestras and chamber music. Moreover, many symphony orchestras have been playing his compositions on the stages in various countries across the world.
Oftentimes musicals and mainstream songs “borrow” from classical pieces, even without mentioning the actual origins. The reasoning is that “every note has already been used”, so, why not. Has it ever happened to you that your compositions welcomed you in someone other’s gown? Johnny Hachem: I think no, at least not until now, haha. Or maybe it’s happened and I’m just unaware of it? It can be! Why do you think modern compositions lack of the beautiful and elegant complexity of notes, chords; the ornaments such as turns, mordents, trills, acciaccaturas, appoggiaturas; the complete lack of meaningful structures and so on? And this goes both for each and every genre. Can it be because of the untrained ears will not buy into something they feel alien and untranslatable, “too much” or because majority of the songs are written by a handful of craftsmen in the background and the “indies” in any genres are just, well, simply not enough good?
Johnny has performed his compositions world-wide in countries including, Lebanon, Jordan, Bahrain, Egypt, Qatar, France, Switzerland, Germany, England, Spain, Poland, Belarus and Ukraine. His most notable work include his composition for the documentary film I Knocked on the Temple’s Door by Carmen Labaki, and also for composing “The Fourth Watch”, which was performed by the Lebanese Philharmonic Orchestra in December 2014 and “The Battle of Siddim” performed by the Lebanese Philharmonic Orchestra in May 2017 and by “Lublin Philharmonic orchestra”, Poland in October 2017.
It is good to meet different, unique, creative artists, musicians. Johnny Hachem is one of them. The award-winning composer, pianist shares his thoughts and experiences on music creation in the 21st century, the contemporary and old time classical music and how he combines the modern technology with his compositions. Be brave and read on! And while you are at it, listen to Johnny Hachem‘s Jacob & Rachel, The Love Story, great treat for the ears!